Monday, 27 May 2013

Mood board development.


Developing from my last mood board I decided to change the arrangement of the panels and centre the Rose Window symbol so it is more of a focal point rather than forgotten and draws attention from the centre rather than from left to right.

Date: 28/05/2013

Mood board.


This is my first mood board development. It has been inspired / continued on from my previous collections mood board. I have merged several images of the Cathedral, what it was and what it is now that it is broken, and what the potential future of it will look like according to the decision that will be made. I have adapted these imaged together in photoshop and also inserted in the distance back ground the rose window print I painted for my last illustrations. I have included lots of gold accordingly to my color scheme and some pops of red and green. The mood is suppose to be happy and warm in remembrance for Christchurch and its sustainability, as well as including the color scheme of my collection and the feel of it which is soft in relation to sustainability and the fabrics I am using such as wool and organic fair trade cotton.

Date: 28/05/2013

Colors.

These are my chosen colors for my collection. Majority of my collection will be focused on black and gold, some white and pops of color every now and then of blue, red and green. These colors I have chosen in relation to my last collection and the inspiration from the Cathedral Square and colors related to the Rose Window within it.

Date: 28/05/2013

Developments.

Here I have re drawn and designed all the concept designs I liked and have changed what needed to be changed and commented on how these garments may appear in further developments. 

Jacket one is a cropped coat made of 100% wool with screen printing and no fastenings are included. Jacket two is like an oversized pea coat with drop shoulders, will be a heavy 100% wool but button fastenings up the front. Jacket three will be a heavy duty wool and possibly have some contrasting polyester sleeves, contrasting zip will fasten up the front, it is a oversized tailored cut. Jacket four will be 100% wool except the front panel might be a contrasting polyester with patchwork detailing, behind the front panel will be a button wrap for fastening. The vest will be a cropped oversized casual fit made of 100% wool for warmth, possibly in a pop color of blue or red?
Cape number one will be a heavy wool for warmth and will be a pull over the head with buttons on either side of the neck piece, 4 panels are used in this design. Design two is very similar except it has arm slits and is just two panels. Jackets three will be an oversized boyfriend blazer style jacket made of 100% wool with drop shoulder sleeves and button up the front. Design four is similar to design two but shorter, more of a cape/shrug. 
Dress one will be a kimono sleeve with lots of movement. 100% organic fair trade cotton will likely be the base and either a wool or bunchy silk will be used for the cuffs and neck. Screen printing for the print. Dress two will be either 100% merino or organic cotton with screen printing and is a loose pull on fit with flared cuffs. 
The dresses I carried forward. Dress one has been shortened since the concept and is now sleeveless with a centered bandau. Dress two I gave a higher skivvy neck, it will be merino wool with thicker wool cuffs and 100% silk front sash's. Dress two has been designed from combining two concept dresses. It will be 100% wool with screen printing, incorporating all my color pallet, gold, black, blue, red and green. Dress four has been designed from a skirt and top. Sleeves have been added, the skirt will be gold wool and the top 100% organic fair trade cotton with screen printing. Dress five will be 100% wool in a golden tone, most likely screen printing with several colors for the pattern. 
The tops I chose to go forward with in development. The first 3 and the last one will be 100% wool. The main body of the tops will be a lightweight 100% merino wool and the cuffs where added will be a heavier duty wool for contrast, the same as the top band on design one. The rest will be 100% organic fair trade cotton and the tee shirt prints will be screen printed. Design 3 and 5 both have cut outs in the back representing the holes in the Christchurch Cathedral building now. I do not like design 5 so will not go forward with that one. Colors will be mainly black or an off white where cotton is used. 
These are the skirts I chose to go through with. They are all a simular style and will be fastened with a 20cm centre back visible silver zipper for contrast. Same as pants they will be made of 100% wool fabrics, a thicker wool than the pants, however some polyester might be used for particular styles. 
Here I have developed the pants from my concepts which I chose to go forward with. They will all be made from 100% light-mid weight wool fabrics in order to maintain warmth during the winter. Some will have sewn patchwork detailing and others will be screen printed. Fastenings will either be a side seam invisible zipper or a tailored fly at the centre front. Colors will be black or gold and possibly some blue, green or red incorporated in the prints.

Date: 28/05/2013

Evaluating designs.

Here I have scanned in all of my original concept designs and added notes related to fabrics and crossed out what I will go forward with in my designs and what I will leave behind as I don't think it is working. The crosses over a design indicates that I will not take that concept any further in the design process. 


Date: 28/05/2013

Tuesday, 21 May 2013

Cathedral inspiration.


The 700 seat Cathedral Anglican Church made out of cardboard which has been put up in the St John's Latimer Square site in town. The $5.3 million structure has already been heavily noticed and named the 9th best global attraction for globetrotters to visit in 2013 by the Sydney Morning Herald. Although it is thought to be temporary the structure has been built as a permenent structure and is expected to last a minimum of 50 years and has been said to stay as long as people want it to. It is serving the memory of what was lost, just as my collection is. 



The building looking broken and crumbled. These holes in the building left holes in Christchurch's heart which I will display using opening in several of my garments. 


The Christchurch Cathedral at front on after the 2010 earthquake. The towers had crumbled. 


The Rose Window stain glass which is situated in the centre of the Christchurch Cathedral. The particular window design has sparked many designs for my collection. 

The Chalice in full form at night time before the earthquakes. 


Christchurch Cathedral Square, displaying the famous Chalice sculpture to the right and the Cathedral          Church in the centre.


Date: 21/05/2013

Class notes.





Date: 21/05/2013